The Doctor figures out that the 14 walls of the Globe are based on the 14 stars of the Rexel configuration. Martha questions when they are, but the Doctor quickly pulls her back, keeping her from being struck by the contents of a chamber pot. Norwegian researcher Petter Amundsen claims to have deciphered a secret code hidden in legendary playwright William Shakespeare's works that reveals a map leading to the location of certain treasures. When asked by the Doctor what she saw, Martha answers, "A witch". Scenes set in the Globe Theatre were then partially filmed in the recreated Globe Theatre in London. Martha yells to be let out but is told by the Doctor that it's pointless as the entire building is yelling that. Key crew Scott Matthewman of The Stage gave "The Shakespeare Code" a mostly positive review, highlighting the guest performances and the theme of the power of words. Filming for the episode took place from 23 August to 15 September 2006. Shakespeare's daughter, Susanna, was to have appeared at one stage. Shakespeare Day! Freedonia was the name of a planet in, The Doctor uses the title of "Sir Doctor of TARDIS". The Shakespeare Code has accepted the latter. In another Big Finish drama, The Time of the Daleks, a child is revealed to be Shakespeare at the story's end. Martha, mimicking the Doctor's actions at Bedlam, tries to neutralise her by speaking the name Carrionite, but Lilith mocks her, since naming only works once. It also introduced the narrative lynchpin of Queen Elizabeth I having a severe distrust towards the Tenth Doctor. He started writing some Virgin New Adventures, a series of Doctor Who novels, with The Highest Science (1993). The lead actor recites the incantation, and a vortex appears in the middle of the Globe. When questioned as to the whereabouts of Peter Streete, Shakespeare says that he was admitted to Bedlam. The Doctor wonders which house they need to go to, finding a door opening itself; "Make that witch house.". Doctor Who television stories There’s no fish like your first fish. Taken from the episode "The Shakespeare Code. Shakespeare tells the Doctor that they aren't so different; both are men of great intellect. This has a sequel in Ian Potter's short story Apocrypha Bipedium in Short Trips: Companions, which concerns the young Shakespeare's anachronistic meeting with some of the characters he will later portray in Troilus and Cressida. Upon trying to pass himself off as "Sir Doctor of TARDIS" via the psychic paper, the Doctor is shocked to find that Shakespeare sees it as blank. Meanwhile, the TARDIS lands in the same time period sometime later. When Lynley, the Master of the Revels, demands to see the script before allowing the play to proceed, Lilith plunges a voodoo doll … The Doctor enters and Shakespeare tells him to leave, thinking him a fan who wants an autograph or a portrait done with him. Main enemy: In addition, the Doctor finds a skull in Shakespeare's prop store that reminds him of the Sycorax race from "The Christmas Invasion" (2005); when the Doctor mentions the name "Sycorax" to Shakespeare, Shakespeare says that he will use the name (the joke is that the name in fact derives from Caliban's mother in Shakespeare's play The Tempest.). British Shakespearean scholar Robert Crumpton embarks on a mission to prove he is spectacularly wrong. Shakespeare takes interest in the word "psychic" and wonders who the Doctor is. The Doctor explains the Carrionites produce their "magic" through an ancient science based on the power of words. When the crowd is chanting "author!" She then questions whether it is safe to walk around in the past, citing familiar time travel paradoxes such as the grandfather paradox and the so-called "butterfly effect". Martha assumes that this explains why Love's Labour's Won was never shown and is quite disappointed by the lack of mystery. Under threat of annihilation from a species from the Dark Times, the TARDIS team have to establish whether there is a connection between a witch they've met and Shakespeare's Love's Labour's Won— a pl… To Will's shock, they tell him the Queen wants to see the play. Lilith explains the Eternals found the correct word to banish the Carrionites into darkness, but the three were able to escape using the power of Shakespeare's grief over his son — the grief of a genius — and intend to free the others. Amused, Bloodtide tells her sister that no-one that can stop them now; humanity will doom itself. The Tenth Doctor takes her to 1599 England. The Doctor tells him to stop rubbing it or he'll go bald. in her honour, but is interrupted when two of his actors burst in. Historically, a reference to Love's Labour's Won (in Francis Meres's Palladis Tamia, Wits Treasury, 1598) predates the construction of the Globe Theatre (1599). The Doctor gives a disgruntled Martha mixed signals by casually sharing the bed with her only to show no interest, then dismissing the idea that a mere human could be channelling the psychic energy and bemoaning the lack of Rose's insight. Oh, I cried." Three witches try and mess up William Shakespeare's mind and work. These references include some metatheatrical humour, since David Tennant played the villain Barty Crouch, Jr in the film adaptation of Harry Potter and the Goblet of Fire. She senses a name that could hurt him and tries to weaken him by naming "Rose", but he assures her that that name keeps him fighting and demands to know how the Carrionites came to be on Earth. The Doctor whispers that they've still got "one foot in the Dark Ages", and any seemingly unnatural answer would lead them to think that it was witchcraft. One of the Doctor's hearts stops temporarily. 7.23 million viewers - BARB final ratings, 1.039 million viewers - BBC3 Repeat ratings, Ford's Hospital, Greyfriar's Lane, Coventry, Newport Indoor Market (Basement), Newport, Chelesmore Manor House, Greyfriar's Lane, Coventry, BBC Studios, Upper Boat, Tonteg Road, Treforest Industrial Estate, Pontypridd, Stageworks, Unit H1, Colchester Industrial Estate, Colchester Avenue, Penylan, Cardiff, Black Horse Ltd, St William House, Tresillian Terrace, Cardiff. The episode was first broadcast at 7pm on 7 April 2007. Director: The Doctor finds Shakespeare backstage, rubbing the top of his head where he had hit it when he fell on stage. The Doctor explains how history could be changed with devastating results by referring to the movie Back to the Future. He then notes Martha looks at the Doctor like she's surprised that he even exists. The actors ask Will why he announced the play for tomorrow instead of next week as they planned. Het werd uitgezonden op BBC One op 7 april 2007. Lilith plunges the doll into a bucket of water. Lilith kisses Wiggins, but on pulling away, he finds her transformed into a wrinkled hag. David Tennant, unusual amongst other Doctors, began and ended on special episodes, not regular ones. He offers to take Martha to the theatre, which she happily agrees to. As revealed in Doctor Who Adventures issue 30, this episode had the working title of "Loves Labour's Won". Among the facts that the Doctor lists are that it's not really a globe, but a tetra-decagon; it's also brand new and recently opened for the plays written by the great writer himself. The Carrionites' contribution to Love's Labour's Won includes a reference to "Dravidian shores"; a "Dravidians starship" is mentioned in The Brain of Morbius (1976). Martha They are led into Streete's cell, where the Doctor finds he is suffering from catatonia. Lilith temporarily stops one of the Doctor's two hearts and flies to the Globe Theatre. (, The crystal ball imprisoning the Carrionites reappears when the Doctor is fishing through a TARDIS chest for an, After arriving in 1599, The Doctor tells Martha to "walk like you own the place." Martha is surprised by this, asking Will about the name; obviously, Will is going to base Hamlet on his son. Among non-TV material, Shakespeare features in the Virgin Missing Adventures novels The Empire of Glass and The Plotters, and in the Big Finish Productions audio drama The Kingmaker. Lilith's name is only said once throughout the whole episode. A Carrionite spectre appears at the rehearsal. The actors rehearse, with the lead actor reading what he thinks is gibberish; he guesses Will was dozing off as he wrote it. The Doctor decides that is their next stop. As they leave the theatre, Martha asks why she has never heard of Love's Labour's Won. When they find William Shakespeare with a lost play,… This article is an index of characters appearing in the plays of William Shakespeare whose names begin with the letters A to K. Characters with names beginning with the letters L to Z may be found here.. Shakespeare himself speaks with a noticeable Midlands accent, a reference to his birth and upbringing in Stratford-upon-Avon. He asks Shakespeare why the Globe was designed like this. The Doctor thinks he's heard of something before that involves the number 14, but can't seem to remember it. 7 April 2007 Most images portraying Shakespeare show him to be a man who is balding on the top of his head. However his behavior upon meeting Shakespeare in this episode suggests he's never met the man before. Shakespeare defends it, saying that fear of the place helped "set him right". A witch called Lilith uses a voodoo doll to influence Shakespeare to declare that the new play will premiere the following evening. Lilith refers to the Eternals, a race introduced in the original series serial Enlightenment (1983). The Carrionites now plan on using Will's brilliant words to bring the rest of their species back; "Love's Labour's Won is a weapon!" Martha defends herself by saying that in Freedonia, women can have any profession they want. The episode was Gareth Roberts' first writing credit proper on the show, however he had written for Doctor Who many times before. Both hearts stopped in the previous episode. Martha defends herself by stating that she's only just started believing in time travel. The special effects on the episode were done by The Mill, who have created the special effects on all Doctor Who episodes since its return in 2005. At one point, the Doctor uses the title "Sir Doctor of TARDIS," which had been awarded to him by Queen Victoria in "Tooth and Claw" (2006). This is part of the reconstructed Globe and wouldn't have been present in the original. However, without seeming to notice Martha's reaction, he attributes this to Martha being a novice to time travel. For over 100 years, Shakespeare has been one of the most recognizable brands in fishing. 3.2 When regressing the architect in Bedlam, The Doctor uses the phrase "A Winter's Tale", whilst the architect himself uses the phrase "poor Tom" in the same way as the 'mad' Edgar in King Lear. According to Roberts, "if anyone was gonna trip me after transmission it'd be him, so I thought I'd butter him up first".[5]. Shakespeare then announces there will soon be a sequel, Love's Labour's Won; it will answer the questions Lost left behind. Phil Collinson At that moment, Lynley, Master of the Revels, barges in, demanding to see Shakespeare's script before he allows the play to proceed. [14] Nick Setchfield, writing for SFX, awarded the episode five out of five stars, finding the production "confident". At the end of the play, William Shakespeare announces a forthcoming sequel entitled Love's Labour's Won. Much to the horror of the audience, Carrionites emerge and swarm outside; laughing wickedly at their terror, Lilith locks the audience in. Confidential: The Doctor tells her it's "before the invention of the toilet", apologising. He tells for the Doctor not to ask him where he gets his ideas, but upon seeing Martha enter, he stops dead and then suddenly changes his tune, welcoming the two travellers into the room. He then asks the Doctor how he can have eyes so old for someone young. [15] IGN reviewer Travis Fickett rated the episode 7.2 out of 10. Back at The Elephant, the Doctor explains that the Carrionites vanished at the dawn of the universe; thus it was left to debate whether they were actually real. He also tells the Doctor that the witches were based in All Hallows Street. (A remake of “Shakespeare: The Hidden Truth,” including new discoveries.) Contrary to common belief, season 10 kicked off in the last week of December 1972 — not in 1973, as would be expected. Memorable moment The Doctor deduces both their location and the year: near the Globe Theatre in 1599. Shakespeare has appeared in one earlier Doctor Who episode, and the Doctor has also mentioned prior meetings. Format: When Will is about to announce when the play will be performed, she takes control of his mind with a puppet; Will declares that it will be tomorrow night. How they managed to get back is quickly figured out by Martha and the Doctor; when Shakespeare was grieving for his son, he wrote something in a play that allowed them access to Earth. Shakespeare tells him that the play will be given to him tomorrow morning; however, Lynley arrogantly declares that the Master of Revels does not work to an author's schedule. The Doctor says it because he reads a lot. Wiggins is named after Doctor Martin Wiggins, a distinguished academic in the field of Elizabethan and Jacobean literature and the editor of several editions of influential plays of this period. Instead, she names Martha Jones, rendering her unconscious, muttering that she was unable to harm her more, as she must be out of her own time. Lilith notes the Doctor was at the inn with Shakespeare and smells of something new. They proceed to the Globe to stop the Carrionites. That night Shakespeare sneaks into a party celebrating Viola’s engagement to Lord Wessex ( Colin Firth ), but when Wessex notes the obvious attraction between Shakespeare and Viola, he threatens Shakespeare, who gives his name as Christopher Marlowe and flees the party. The vast amount of CGI work required was mainly for the climax of the episode. Shakespeare is credited with adding two to three thousand words to the English language, including 'assassination', 'eyeball', 'leapfrog' and 'gloomy'. He went on to write several more books for Virgin Books and further Doctor Who spin-offs. He again demands the play, but Shakespeare insists it's not ready yet. The Doctor says it's "political correctness gone mad". More behind the scenes stuff Premiere broadcast: Martha is less than impressed with the room, complaining she doesn't even have a toothbrush. 180 It was seen by 7.2 million viewers, and was the fourteenth most watched programme of the week. "[4], The name of the Carrionites derives from screenwriter Gareth Roberts' own New Adventures novel, Zamper (1995), which refers to a slug-like race known as "arrionites". Martha thinks she is going to be carted off as a, In attempting to explain Martha to Shakespeare, the Doctor claims that she comes from, The Doctor muses that the psychic energy he has seen in Elizabethan England would require a generator the size of, This was the second appearance of a famous writer in the revived series, the first being, Shakespeare did use the word Sycorax in his play. For Martha's first trip in the Tardis, the Doctor takes her back in time, to Elizabethan England. A witch called Lilith uses a voodoo doll to influence Shakespeare to declare that the new play will premiere the following evening. Taking flight through the window, she attaches the hair to a doll — which the Doctor says is basically a DNA replication module — and stabs it in the heart. The Doctor calmly announces to the crowd that Lynley has died a natural death, of a sudden imbalance of the humours. Advertisement. 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